Sigma 402965 16 mm F1.4 DC DN Contemporary Sony E Lens - Black

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Above: At the other end of the aperture range you can achieve attractive diffraction spikes, with the seven aperture blades delivering 14 spikes. This is how it looks with the aperture fully-closed to f22.

Be more intentional when you photograph. Choose your lens based on the feeling or effect you want to add to your image. You’ll have a hard time deciding between this f/2 Fuji lens and the f/1.4 variant in fact since the f/2 offers very similar image quality at almost half the price (and weight!) of the f/1.4 lens. Furthermore, if you are willing to pay for it you can get your hands on 14mm lenses with apertures wider than f/2.8, which improve the light gathering even further.

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Or you shoot something wide because that’s the lens you had on at the time and you didn’t feel like changing it. Can you relate? Success with a wide lens Adobe's automated correction profile takes Canon's a step further. It straightens out distortion and cuts away the vignette even more effectively than with Canon's JPGs. You'll enjoy a slightly wider angle with Adobe's profiles, without distracting barrel distortion or a vignette.

Of course, you have to balance out the extra editing time with how fun this lens is to use – it really doesn’t weigh anything, and its bright aperture and wide focal length combine to make it a really fun lens for street photography. It also has obvious landscape photography applications, and it’s easy to imagine doing the confetti run at weddings. If you’re after something wide, sharp and bright you are simply not going to do better on the RF mount for this kind of cash. All that said, being able to choose from different 14mm lenses because there is a wide variety to choose from, you can balance the budget versus the capabilities of the lens. Given that the Fujinon XF 50mm F/2 is fast, light, compact and fast prime makes it great value for money.That said, if you’re buying an f/1.4 lens, you’ll want to be shooting it wide-open, and thankfully the bokeh, when shot in this way, is beautiful. Wide-open, edges are a little soft, but this adds to a natural vignetting of the image, giving great character. Above: And now for the RF 14-35 f4L at 14mm where it’s capturing a fractionally broader field of view than the 15-35, but there’s barely anything in it. A questo dilemma avrei potuto rispondere relativamente facilmente, mi bastava capire esattamente per cosa volessi utilizzare l'Obiettivo e perchè, cosi ho iniziato a chiedermi esattamente cosa avrei fatto con il nuovo Obiettivo e quali progetti futuri avrei potuto realizzare grazie a quest'ultimo e all'improvviso sono arrivato senza nemmeno accorgermene ad un'immediata conclusione, avrei assolutamente preso un Grandangolare.